This post first appeared on The Loop 21 three years ago (The Loop 21 has since deleted the article…boo!). My article prompted a thoughtful response from director, Reginald Hudlin, which was also deleted by The Loop 21 (ugh!). Anyhoo, here’s my take on one of my favorite movies of all time, Boomerang, and why I think Jacqueline’s story is important.
RED, from directors Jorge Jaramillo and Carlo Guillot is an interpretation based on the fairy tale “Little Red Ridding Hood”. Jaramillo and Guillot’s interpretation is gruesomely violent, and yet (as I will further explore below), is also a beautiful take on a classic story. Here is a description of the piece from the directors:
. . . and things seem to be a lot clearer than two weeks ago (professor Kinzer would be proud of me!).
I’m currently re-reading professor AnaLouise Keating’s piece “(De)Centering the Margins? Identity Politics and Tactical (Re)Naming” while thinking about the post I wrote last week on Melissa Harris-Perry and Joan Walsh, WHILE thinking about a possible pilot study that I may want to conduct based on the curriculum I helped design with Beyond The Bricks for young ‘Black’ men, WHILE thinking about the impending certification exam I’m going to take in February as part of the doctoral candidacy process, WHILE thinking that I may, in fact, be well on my way to deciding upon a dissertatation topic.
The topic, you ask? Something that has to do with the following (in connection, no particular order):
21st century media literacy curriculum design in non-traditional learning environments
Making visible outliers in ‘race’ and ‘gender’-based studies/methodology
I am a threshold woman of color tactically (re)naming my place in this world. How boutchu?
< Shout out to Dr. Keating >