Prologue to the Research #RaisingDissertation

#RaisingDissertation.001#RaisingDissertation is a way to keep me sane and connected to the outside world while working, at times in isolation, on my dissertation research. From time to time, and depending on my mood, I will post draft excerpts from my dissertation research to this public blog. I welcome dialogue from subscribers, readers, and lurkers. I acknowledge that ideas belong to the universe. That said, however, if you wish to write about my research elsewhere, you must cite my work here. For those in the press reporting about the media and technology uses among ‘disconnected’ youth, and youths involved in foster care and juvenile justice systems, feel free to contact me directly. I’d love to share my research with you; this should not to be confused with doing your research for you. For others researching in this area, I also welcome your insights here. As always, I’m happy to connect.

The following is an excerpt from an ever-growing dissertation involving the mediated lives of vulnerable or ‘disconnected’ youth in New York City.

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Why vine is a perfect medium for comedy

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Two words: Jump cut

In film, the jump cut, or abrupt transition from one frame to the next, functions like a quick, confusing, and incongruous utterance. The viewer is required to fill in the missing rationale or logic, although she doesn’t realize it. In humor theory, incongruity theory describes “laughter in response to a perception of incongruity.” The jump cut evokes humor, as seen onĀ Vine, the popular short video mobile app with a growing number of aspiring and established comedians.

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Media Analysis On Violence, Rape, and Little Red Riding Hood

RED, from directors Jorge Jaramillo and Carlo Guillot is an interpretation based on the fairy tale “Little Red Ridding Hood”. Jaramillo and Guillot’s interpretation is gruesomely violent, and yet (as I will further explore below), is also a beautiful take on a classic story. Here is a description of the piece from the directors:

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